Thursday, March 25, 2010
Dialog Animation
This is the project I did with Steph, which I want to create a clean vrsion of on the holidays ( at least for my part ).
Any feedback welcome.
How To Train Your . . .
It's the day after How to Train Your Dragon was realised, and is also when I went to see it at the cinema.
I didn't sleep much last night mainly because my mind was still racing with images from the film, moments imprinted in my mind that left me quite impressed, inspired to make something beautiful as it. I'm listening to the soundtrack now. I'm typing a review.
I'm a little bit obsessed.
But let me backtrack.
Apart from the obvious elements in the film such as colours, lighting and backgrounds etc, all of which were very delicious to the eye (I particularly love the part when Hiccups face is blown with hot air as he gazes longingly at Astrid), it was the acting and character interaction I felt which really made the film.
The difficult relationship between Hiccup and his father, Stoic, immediately took my interest. Hiccup, trying to gain the respect of his father, though not knowing where to draw the line. Stoic, trying to maintain the balance of tribe leader and father figure towards his son. It's complicated, even more so without the presence of a mother figure, whom Hiccup's mentor and Stoic's friend, Gobber, I thought replaced the role of emotional translator quite well.
Also, he comes with accessories, which I thought was cool.
Then there's the relationship between Hiccup and Toothless. The transition between natural enemies to friends was pulled off nicely, not too rushed or too drawn out. Being constantly reminded that Toothless was indeed a wild animal also kept the balance between confidence and uncertainty for me as a viewer. For example, after Hiccup touches Toothless's snout, he snarls and quickly backs away even after it seems trust was solid.
Skipping ahead of time, after the 'great battle', Dreamworks did something that restored my respect for them after allowing Shrek and his spouse to reproduce. Recovering from a few lumps in my throat when Hiccup had been engulfed in flame, and the heartfelt scene with Stoic to follow, you discover that Hiccup, after having recovered, is not perfectly fine at all. They didn't wash over the inconveniences of reality like a Disney janitor, but showed that Hiccup had payed a price. The relationship between him and Toothless is strengthened further in this last scene. The boy needs the dragons help to walk; the dragon needs the boys help to fly.
Again, another lump in the throat.
I'm going to cut it short here because I've just realised I'm beginning to ramble. If I have any criticism for the film it's that Hiccup and Astrids relationship felt a little rushed, though given the time frame I suppose they couldn't have drawn it out for much longer anyway.
Also, 3D was not necessary.
Can't wait to see it next week on the big Imax screen.
I didn't sleep much last night mainly because my mind was still racing with images from the film, moments imprinted in my mind that left me quite impressed, inspired to make something beautiful as it. I'm listening to the soundtrack now. I'm typing a review.
I'm a little bit obsessed.
But let me backtrack.
Apart from the obvious elements in the film such as colours, lighting and backgrounds etc, all of which were very delicious to the eye (I particularly love the part when Hiccups face is blown with hot air as he gazes longingly at Astrid), it was the acting and character interaction I felt which really made the film.
The difficult relationship between Hiccup and his father, Stoic, immediately took my interest. Hiccup, trying to gain the respect of his father, though not knowing where to draw the line. Stoic, trying to maintain the balance of tribe leader and father figure towards his son. It's complicated, even more so without the presence of a mother figure, whom Hiccup's mentor and Stoic's friend, Gobber, I thought replaced the role of emotional translator quite well.
Also, he comes with accessories, which I thought was cool.
Then there's the relationship between Hiccup and Toothless. The transition between natural enemies to friends was pulled off nicely, not too rushed or too drawn out. Being constantly reminded that Toothless was indeed a wild animal also kept the balance between confidence and uncertainty for me as a viewer. For example, after Hiccup touches Toothless's snout, he snarls and quickly backs away even after it seems trust was solid.
Skipping ahead of time, after the 'great battle', Dreamworks did something that restored my respect for them after allowing Shrek and his spouse to reproduce. Recovering from a few lumps in my throat when Hiccup had been engulfed in flame, and the heartfelt scene with Stoic to follow, you discover that Hiccup, after having recovered, is not perfectly fine at all. They didn't wash over the inconveniences of reality like a Disney janitor, but showed that Hiccup had payed a price. The relationship between him and Toothless is strengthened further in this last scene. The boy needs the dragons help to walk; the dragon needs the boys help to fly.
Again, another lump in the throat.
I'm going to cut it short here because I've just realised I'm beginning to ramble. If I have any criticism for the film it's that Hiccup and Astrids relationship felt a little rushed, though given the time frame I suppose they couldn't have drawn it out for much longer anyway.
Also, 3D was not necessary.
Can't wait to see it next week on the big Imax screen.
Sunday, March 21, 2010
Training Yer Dragon
So, I don't know about everyone else, but I'm about to implode with excitement over How to Train Your Dragon coming out this Wednesday.
I've been following the Dreamworks blog on making the film, and they have some pretty insightful interviews as to how they've worked to create the characters, environments and so forth. It's also interesting to note if you look in the background you'll see they're working on Maya, which was pretty inspiring for me.
Their blog is here: http://howtotrainyourdragon.tumblr.com/
I've been following the Dreamworks blog on making the film, and they have some pretty insightful interviews as to how they've worked to create the characters, environments and so forth. It's also interesting to note if you look in the background you'll see they're working on Maya, which was pretty inspiring for me.
Their blog is here: http://howtotrainyourdragon.tumblr.com/
Sunday, March 7, 2010
Trailer By Matt and I
What I really mean is, awesone trailer by Matt, with my feeble skills added in. I really enjoyed working on this, I always learn something new whenever I'm on flash.
Subscribe to:
Posts (Atom)